Home > Trail of Dead (Scarlett Bernard #2)(3)

Trail of Dead (Scarlett Bernard #2)(3)
Author: Melissa F. Olson

The line of his mouth quivered into a frown. I may have forgotten to mention that even in a town full of movie stars, Jesse is alarmingly gorgeous, with dark Latino good looks on a muscled frame. He makes those perpetually topless Abercrombie & Fitch guys look like homely wannabes.

I had been at least half kidding, but he took the question seriously. “I’m not sure, but I think so.”

Great. His tone said don’t ask, and for once, I listened to my inner Dr. Phil and didn’t. I was just too tired for this. Instead, I just stared out at the city lights. Some of the towers were lit up with red and green lights for the holidays. Presumably, someone from the Old World had been killed, though I didn’t know why Jesse would necessarily call me in for that. I make my living working for the three heads of the LA Old World community—the witches, the vampires, and the werewolves—cleaning up supernatural crime scenes before the police can get there. If a vampire spills blood somewhere, or a werewolf accidentally murders a neighbor’s chickens, I get called in to hide all the evidence. I almost always make it in time, and Dashiell, the city’s master vampire, pulls strings to cover it up if I can’t. The system works because, despite being the second-largest city in the country, Los Angeles has just never had much of a supernatural population. The wolves don’t like being two hours of unpredictable traffic away from good natural areas, and most of the out-of-state vampires I’ve met think living in LA is…tacky. Basically, most of the Old World’s attitude about LA is sort of the equivalent of most of the humans’ attitude about, say, Boise: sure, it’s there, but who the hell cares?

So yeah, I’d helped Jesse on a case before, but I still couldn’t figure out why he was bringing me to a crime scene now: If he was already officially on the case, then the police knew about it, so what would be the point in bringing me in? It was now up to Dashiell to pull some strings with the higher-ups. I gave up on trying to logic it out and settled for yawning and resting my head against the cool glass of the window.

I dozed off after Jesse got on the 101 on-ramp, but snapped awake when the car finally stopped. Blinking, I peered in the direction of the nearest major street: Ventura Boulevard. We were in Studio City. Jesse was out of the car before I had my seat belt undone, so I had to scramble to catch up as he strode toward the front door of a dingy stucco apartment building. A half-assed attempt had been made to throw Christmas lights on the tree-shaped shrub next to the front door. It probably would have looked better if they had forgone the Christmas lights entirely.

Jesse ushered me into a little vestibule with beige paint and a couple of neglected-looking potted plants. No lights for them. He made a beeline for the call box, stabbing the button for apartment 313 with an index finger. He identified himself to the female voice on the other end and marched us through the buzzing interior door—all without saying a word to me. I clenched my jaw. Fine. I was too tired and travel-worn to try to apologize for whatever it was I had allegedly done to piss him off. If Jesse wanted to play the quiet game, I could hold my own.

He led me up two flights of stairs, down a very long, very beige hallway, and to the last door on the right, the only one with a cheerful welcome mat and a plastic wreath adorning the door. Jesse rang the bell and held his badge up to the peephole.

After a moment, the door creaked open a few inches and two large, red-rimmed brown eyes appeared in the space. The girl was maybe a couple of years younger than me, college aged, with gorgeous dark-brown skin. She had a crumpled washcloth in her visible hand and that wrung-out look of someone who’s been crying for hours.

“Ms. Jackson?” Jesse asked. “I’m sorry for the late hour, but I did want to have the specialist here as quickly as possible.”

Her voice was soft and grave, with a slight Southern accent. “Of course, please come in.” The door swung all the way open, and she stepped back to let us in. I looked around. The apartment was very small, but the space had been used with efficiency and color in mind. It had a whole Urban Outfitters dorm room kind of feel to it. Not exactly my thing, but not terrible, either.

Cruz made the introductions. “Jubilee Jackson, this is Scarlett Bernard. Scarlett is the crime-scene specialist I told you about.”

“Uh, hi,” I said. She was plump, but in a natural, self-confident way. She wore a summery yellow top with dark-green pajama pants and those long, stripy wool slippers that go halfway to your knee. She held out a hand, which I shook, and then I glanced over to Cruz, waiting for my next cue.

“Could we have a moment alone in the room, please, Ms. Jackson?” he asked.

“Of course,” she said, waving her hands absently toward a hall. “I need to call Erin’s mom back, anyway. They’re flying in later this morning.” She sniffled, dabbing at her nose with the washcloth.

I followed the two of them through the entryway and down a long hall, completely bewildered. Jubilee stopped in front of a door. “I haven’t touched anything, like you said,” she told Jesse, her worried eyes lingering puppy-style on his face. “I’ll just be in my room if you need me.” She nodded to the door across the hall.

“Thanks, Ms. Jackson. We’ll let you know when we’re finished,” Jesse said, in the soothing “it’ll be okay” voice you use with broken people. He reached out to touch her arm, and she nodded trustingly. Jeez. I was glad that Jesse used his hotness powers for good.

When Jubilee’s door had closed, Jesse opened the door in front of us and flicked on a light switch. “Go ahead,” he said, tilting his head. “I want to hear your impressions.”

   
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